Designed by Young & Battaglia with artwork by Chiara Fersini and Chad Wys, these beautiful and unusual hide area rugs are made in England. Read more
Nine designers from Europe and Canada designed twelve out-of-the-ordinary limited edition carpets for Ruckstuhl. The constraints imposed by larger production runs were simply ignored in order to create an exquisite selection of artworks for the floor which bear the distinct signatures of their designers.
The area rugs, designed for residential use, incorporate unusual materials such as crystals, resin, and strips of linen. Various wools – tufted, felted and embroidered – are utilized in some of the designs and each functional piece of art is signed by the designer.
Carpe Diem by Marcello Morandini (2010)
Carpe Diem, the new carpet designed by Marcello Morandini, is distinguished by its unusual yet clearly delineated format. Two intersecting diagonal bundles of lines inscribed within a square sweep out in a semicircle before returning to the square, diagonal once again. The endless loop thus created takes the form of an elongated figure eight, an expression of controlled dynamism. Here, Morandini’s typical black-and-white contrast has been softened into an interplay of dark grey and light grey.
DessusDessusDessous by Atelier Oï (2010)
The Dessus Dessus Dessous carpet, which has been woven from strips of linen, can be traced back to a textile installation entitled “Plier – Entrelacer – Superposer” (Fold – Weave – Overlap) which Atelier Oï created for Designers Saturday 2008 in Langenthal at the invitation of Peter Ruckstuhl. The starting material for this work, which was nominated for the Design Preis Schweiz 2009 award, was provided by the strips of linen that are normally used for the carpet trim. The transformation from an experimental exhibition installation to a product for Edition required both the refinement of technical aspects and an upgrading of the graphic design.
Frisian Wouw by Claudy Jongstra (2010)
Frisian Wouw, the felt carpet which Claudy Jongstra designed as part of Edition Ruckstuhl, is distinguished in particular by its irregular contours and wild, frenzied texture. This can be seen as an allusion to the archaic character of felt. It is not an accident that the yellow colour, which gives the carpet an unbelievably warm and cosy aura, evokes associations with the golden age of Dutch painting, when masters such as Rembrandt used pigments from the mignonette (reseda) plant (also known as dyer’s rocket).
Hypnos by Atelier Oï (2010)
The design of the Hypnos carpet was inspired by “Les Danseuses”, a kinetic installation which Atelier Oï presented in 2009 on the occasion of the grand opening of its new office and workshop building in La Neuveville. Within the circular, ever narrower wavy lines that characterise the carpet’s striking pattern, the installation’s motif of rotating, ornamentally perforated textile umbrellas that instinctively evoked an association with the robes of whirling dervishes has been frozen in place.
Area and Mesh by Fiorella Fasciati (2010)
For the Area and Mesh carpets which were created as part of Edition Ruckstuhl, Fiorella Fasciati made a conscious decision to utilise a production technology in common use at the firm and to explore it to an entirely new manner. With the selection of hand tufting, the carpet’s structure became an obvious choice for the central design theme which, characterised by its interplay of inclusion and exclusion, cannot be perceived in the visual realm alone. This is because the pattern is produced in large part by the use of tufts of varying lengths, lending the carpet a three-dimensional structure and making it a tactile floor experience.
Night Sky by Deborah Moss (2010)
Night Sky, Deborah Moss’s contribution to Edition Ruckstuhl, is by far the smallest carpet in this collection. Its dimensions alone underscore the intimate character of its design, which displays an impressive poetry. The delicate colour gradients on the hand-painted felt depict an authentic image of the infinite expanses of the night sky. Stitched-on crystals create a vibrant contrast to the simplicity of the base material, lending an air of luxury to this carpet.
Pompon by Hugo Zumbühl (2010)
The starting point for Hugo Zumbühl’s contribution to Edition Ruckstuhl was once again a material discovery. The backing fabric for the Pompon carpet with its dense white tuft is made of chenille yarn, a particularly plush wool thread that has practically disappeared from the market. Pompoms stitched in at regular intervals animate the surface structure and provide colourful accents. The result is a spontaneous image of a flowery meadow illuminated only by the light of the moon.
Red Flower And Golden Stripes by Céline Sorigue (2010)
In selecting felt for Céline Sorigue’s Red Flower and Golden Stripes carpets, she has chosen a distinctly simple starting material. As a result, the powerful drawings which she has applied to the felt, and to which she has afforded lasting protection with a coat of transparent synthetic resin, have an even greater impact, making this simple floor covering into a work of art. For Sorigue, the ability to combine traditional craftsmanship with high-tech processes was a significant part of the appeal of producing these designs for Ruckstuhl. The similarities in style to Art Deco and the lacquer work so popular at this time can certainly be seen as an homage to a great epoch in Parisian arts and crafts.
Salor by Jutta Bernhard (2010)
For her Salor carpet, Jutta Bernhard decided to use wool felt – possibly humankind’s oldest textile material. Wool felt represents warmth, protection and security, and has been used to shape rooms for many millennia – one need only think of the yurts used by Asian nomads since time immemorial. Her design was inspired both by traditional Turkmen carpets (specifically their woven edges and primary colour, red) and by abstract art. Her central themes are simplicity, repetition and concentration – typical Ruckstuhl themes if you will – which have been interpreted in an entirely new manner here, underscoring the meditative character of this carpet. Salor is made of strips of felt that have been glued together in such a way that their cut edges comprise the surface. The artist has cleverly capitalised on the fact that the edges of this dyed wool felt exhibit a delicate differentiation of colour, as these variations gently emphasise the striped pattern of the carpet.
Venezia by Ursula Spicher-Waldburger (2010)
The thematic basis for Ursula Spicher’s design for Edition Ruckstuhl is Venice, or rather the special atmosphere of this historic city which is evident most clearly in its colours. The typographic realisation is immediately clear, leaving room for a multitude of associations. The letters, which have been created using complex embroidery, reveal their many nuances on closer inspection
information and images courtesy of Ruckstuhl
Teppichfabrik/fabrique de tapis/carpet factory/fabbrica di tappeti
St. Urbanstrasse 21, CH-4901 Langenthal
Tel. +41 62 919 86 00, Fax +41 62 922 48 70
Dan Golden Pillows. A longtime fan of Dan Golden’s whimsical and downright hilarious hand-tufted cartoon rugs (shown further down in this post), I was thrilled to hear that he’s launching a pillow collection with some of the same designs this coming November. Read more
Time for another round of Look What I Found. Unusual and interestingly designed items from all over the world. Read more
You may not want Anthrax anywhere near or in your home, but if it’s an area rug by Bev Hisey of the same name, you may change your mind. Read more
Last January I shared with you some of the rugs and art by DEVO founder Mark Mothersbaugh.
Since then he has a whole new slew of rugs for 2009. A large collection of sixty-six 4′ x 6′ rugs that feature his artwork as well as twelve smaller versions in limited editions, featured in a solo show this past summer at the NOWhere Limited Gallery .
“They’ll cover a hole on the floor; you can sweep things beneath them. You don’t have to feel reverential about the artwork. You can walk on it. You can do your prayers on it if that’s your predilection. And there are many ways to get rug burn on it.” – Mark Mothersbaugh, about his rugs.
Here are twenty-four from his 2009 collection. Each measures 4′ x 6′ and is available for $850.00 a piece and some are also available in the smaller size of 22″ x 34″ for $275.00. In each image are six different rugs:
See all sixty six rugs in his collection here.
The 12 rugs from the show are small. Each measures 22 x 34 inches, has a 1/4 border and includes a signed and titled rug tag:
above: The Sleepover rug
above: Shoes rug
above: Jihad Detecto
above: Hooded Imp rug
above: Hatching a Plot rug
above: Fingerbot And The Boy rug
above: Dive For Safety rug
above: Duo Worm rug
above: DEVO Rope rug
above: Robot Loses His Head rug
above: When He Fell Through The Trap rug
above: X-Ray Visionaire rug
Each is available for purchase here and costs $275.00 USD. Several are also available as 4′ x 6′ rugs, just ask the gallery.
If you didn’t see his stunning rugs for Walteria Living in 2008, see them all here.
Nodus is a craft workshop of experimentation with a cultural plan. Reviving the oldest wisdom and knowledge in the art of carpet design, Nodus reinterprets the area rug by using the vision of the most innovate designers and architects, producing only unique pieces. Read more