above: Tree 4, 2011, Anodized aluminium, Birch wood, Edition of 12, H 110 / L 250 / W 27 (cm), H 43.31 / L 98.43 / W 10.63 (inches)
Andrea Branzi’s first US show is now on at New York’s Friedman Benda Gallery featuring his “Trees”, a collection of metal and mirrored furniture designs that incorporates real birch trees.
Andrea Branzi: Trees
September 11 – October 13, 2012
Friedman Benda, New York, NY
When birch tree forests are pruned or agricultural cultivations of fruit trees are picked, they are dispersed or burned. I have always been fascinated by these parts of nature, that continue to give off a grand expressive force, more powerful when they are combined with modern, perfect and industrial materials. They become mysterious, always diverse, unique, unrepeatable and somewhat sacred presences. Trees, trunks and branches are part of our ancient culture but also of actual culture, because in the age of globalization, design searches to trace recognizable anthropological platforms. The collection, Trees consists to place simple, everyday objects, books, and images next to the strange presence of branches and trunks, like in the reality of the world. – Andrea Branzi
Italian architect and designer Andrea Branzi melds metal and nature in his latest series of shelving, Trees. On exhibit now through May 16th at the Carpenters Workshop Gallery in Paris, the seven functional art pieces are sold in editions of 12.
In a short time, Carpenters Workshop Gallery in Paris has already treated us to a regular and rich demonstration of Design Art: in March Andrea Branzi was given space to express himself as a free and committed thinker with this new collection, « Trees ».
above: Tree 1, 2010, Anodized aluminium, Birch wood, Edition of 12, H 100 / L 120 / W 27 (cm), H 39.37 / L 47.24 / W 10.63 (inches)
above: Tree 8, 2010, Anodized aluminium, Birch wood, Edition of 12, H 205 / L 140 / W 35 (cm), H 80.71 / L 55.12 / W 13.78 (inches)
In a space that was once the Galerie de France, a place where contemporary art flourished, Catherine Thieck will come back to pose a few objects from her own collection on the shelves of Andrea Branzi. Works by Marcel Duchamp, Constantin Brancusi, Méret Oppenheim and Rebecca Horn will fill the shelves of an artist whose personality and preoccupations have remained consistently at the avant-garde of the architecture and design world.
above: Tree 3, 2010, Anodized aluminium, Birch wood, Edition of 12, H 80 / L 165 / W 27 (cm), H 31.5 / L 64.96 / W 10.63 (inches)
The Italian architect and designer Andrea Branzi, born in 1938, was ahead of his time in Florence in 1966 when he set up Archizoom associati, the first, internationally renowned avant-garde group. In order to define this remarkable character, one must use the vocabulary of projects: theoretical research, new design, experimental laboratory, leeway, mass creativity, new organisation He also knows how to share his battles, he coordinates and curates exhibitions, he regularly exhibits his personal work, publishes manifestos, teaches generations of students and participates in conferences all over the world. In fact, multiple spaces would be needed to cover all angles of the man: a screening room, an auditorium, a museum and more than a few metres of shelf space.
above: Tree 9 (closed and open), 2010, Anodized aluminium, Birch wood, Edition of 12, H 252 / L 140 / W 35 (cm), H 99.21 / L 55.12 / W 13.78 (inches)
Andrea Branzi is passionate about the morphology of urban space; he breaks down the accepted codes and vigorously shakes the foundations of the ever-present conventions. Today more than ever, this insatiable troublemaker continues to disrupt the status quo and places humans and nature at the centre of his thinking.
above: Tree 2, 2010, Anodized aluminium, Birch wood, Edition of 12, H 100 / L 120 / W 27 (cm), H 39.37 / L 47.24 / W 10.63 (inches)
« Trees » represents a continuation of his thinking on architecture. He creates a minimalist space of shelves, veritable pieces of micro-architecture made from aluminium that spread out in neo-plastic bursts like a Mondrian. However, through the splits in the frame, Andrea Branzi introduces trunks and twigs gathered in the wild. This strange encounter that began in the eighties with « Animali domestici », questions the duality of the nature-culture relationship.
With « Trees », he adds a dimension, an extra slice of soul, as nature becomes art, a contemporary icon, an emotional window linked to the knowledge of the vital importance of this precious, common heritage.
Pieces on show:
Seven shelves, in different shapes and formats, in aluminium (annodized and polished) and birch wood.
ANDREA BRANZI / TREES
PARIS / SATURDAY 10 MARCH – 16 MAY 2012
OPENING/ SATURDAY 10 MARCH / 4 – 9 PM
54 rue de la Verrerie Paris 75004